Lock instruments horizontally or vertically relative to size of stage. Lock instruments by distance to sides or bottom of stage. Ability to save groups of instruments to reuse. Many new instruments, including percussion, strings, horns, etc. Finally, an application dedicated to creating stage plots for professionals. Keep your stage layout, input list and monitor mixes all on one page to print or email as a JPEG. If you're not bringing a mixer its probably useless to try and tell the mixers how to mix your band, especially using terms like nice, warm, balanced etc., send a link to a live show or a record and ask them to bring you as close to that as possible.or bring your own mixer.Create professional, accurate, and easy-to-read stage plots for stage managers and sound engineers. What you bring, what the venue/production must provide and if you're coming to Europe and bringing gear that need 110v for example is also something that need to be explained. Both the plan and the input list are an integral part of the technical rider which explains ALL your technical needs in general including parking, load in/out, stage size, number and dimensions of risers, number of stage hands, type and make of PA, the type and number of stage wedges or if you're bringing an IEM system placement of FOH. Nobody needs to see a drawing or picture of the drum kit and other instruments, it makes a lot more sense to present an outline of the riser showing its position on stage, and its dimensions.įor those who don't know, the plan is/should be accompanied by a detailed patch list which indicates mic and DI choices and the type of stand etc for each input. For the version that goes in the rider I'd also include a title block with drawing specific information (date of drawing, draftsman, version, scale, etc.).Your plan is very sensible, it tells me a lot at a glance and anybody could setup your stage with little to no fuss and/or questions which is exactly what a stage plan is supposed to do. There's a plot of my own attached, drawn in CAD software. I also quite like the idea of having a basic, default setup (slide 1 - locked) and being able to throw together alternatives for each band in a night within the same file. I got a bit carried away with what was available, it was more the placement facilities I was drawing attention to. It appeals to my inner Lego-architect, if only musicians could appreciate and stick to the clean lines and boundaries. I normally use Draw Express with conventional symbols but I've always liked the way Keynote orientates graphics with guidelines relating to all kinds of spatial relationships. The graphics might look smart to some people but wouldn't it would be better to to keep things basic while adding as much relevant information like AC drops etc and using the squares/rectangles to show orientation, position and relative proximity.You're right, of course. A plan with just basic shapes like squares and rectangles would be easier on the eyes and brain. I understand that you're using the software for the first time, but this is hard on the eyes. Not trying to tear you apart, but I think it's worth spending the time to get this right. So long as the results are good, you don't need to know or care if the Aux send is at +6 and all the channel sends are low, or if they've cranked the channel sends and have the Aux send at -20.Īdvice like aiming for a balanced mix that you guys will then alter with your playing dynamics is far more useful - it'd mean to me as an engineer that you guys have practiced playing as a group and you all know how to let one person solo while the others back off a little. ![]() I'd recommend taking off the instructions for the engineer's gain structure. ![]() If they're not going to get a mics pack just for you, it might be worth just speccing "vocal mic - SM58 or better" which will ensure a minimum of quality while allowing plenty of flexibility. The Sennheiser e935 is a big step up, for example. If you're at a point where sound providers are honouring your tech specs, it might be worth seeing if there are any other vocal mics you prefer. If you do have a preference for a particular vocal mic, put that on the channel list further down. With most engineers, if you don't spec a particular mic, that's exactly what you'll get (for better or for worse). They don't need to know that you want an SM58 on a boom stand on the stage plot. ![]() The engineer needs to know where to run power, monitors and XLR, and what needs to be on the end of the XLR (if anything). Edit: Updated version.Wasn't keen on that.
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